ABOUT CARVA RAJASEKAR


CARVA RAJASEKAR


Shri C.A.Rajasekar is an embodiment of elegance and versatility, a true source of inspiration. His simplicity and altruism further pronounce his oratorical, organizational and intellectual skills. With a good sense-of-humor, which is an Utopian dream in recent times, he carries his responsibilities with a ever smiling face.

Family pedigree:

Born to Shri Chittoor Appanna Bagavathar and Smt. Madurambal, Shri C.A. Rajasekar has a rich musical pedigree. His grandfather Shri Vedachala Iyer was adept in playing both the violin and the flute. His father Shri Appanna of Chittoor was a renowned violinist himself, and so were his brothers.

The family at the cause of promoting music:

Shri C. A Rajasekar’s family has been rendering yeoman service in the patronage of music by arranging music festivals and poojas every year. Those days, they used to arrange the Shri Purandarasa festival at their native city every year. Noted contemporary sangeetha vidwans used to participate and perform at the festival. ‘Aganda Gaanam’ of Thiyagaiyar’s kirthanas was held as an annual feature at which singing of Thiyagaiyar’s kirthanas lasted 24 hours at a stretch. As a boy, Shri C.A. Rajasekar participated with great enthusiasm in such activities. This has, no wonder helped him develop a deep sense of service to the cause of music.

Tutelage and Performances:

Shri C.A. Rajasekar learnt his first vocal lessons at the age of four from his father. It was soon followed by violin lessons under the watchful eyes of his illustrious father. He played along with his father from an early age at the latter’s performances.
To further hone his skills, he had been under the tutelage of the distinguished violinist Sangeetha Kalanidhi Shri. M.Chandrasekaran and had also undergone lessons from Shri V.S.Narasimhan for a broader understanding and appreciation of western classical genre.

Shri C.A.Rajasekar, also known as the backbone of CARVA Trust, received the “Isaikalaimani” title from Adyar Music College. Not the one to stop there, he proceeded to complete his M. A in Indian music and was awarded a Gold Medal by the University of Madras. He also completed his M.Phil at the University of Madras. Here, his final thesis explored different violin teaching methodologies, particularly, his unique teaching methodology.

In 2007 he was honoured as ‘Aasthana Vidhwan’ by Sri Kanchi Kamakoti Peetam. He was also conferred with the ‘BEST GURU’ award by VDS Arts Academy in recognition of his accomplishment in tutoring violin to numerous students for 25 continuous years. Shri C.A.Rajasekar has also been nurturing students of other countries through the internet. Through this, students at different parts of the world receive an opportunity to learn violin. This is a blessing to students around the world who share a passion for music and his online classes are well appreciated for the same reason.
Apart from his solo concerts, he has been playing as an accompanying artiste for many vocalists at various sabhas in India as well as abroad. He is involved in performances for many social causes. One such special occasion, which he remembers till date is when he played with his Guru Shri M. Chandrasekar, in Malaysia.

CARVA TRUST

Shri C.A.Rajasekar has been teaching violin for the past 25 years. With well over a hundred students under his guidance, he has been orchestrating regular performances to a wide audience. From being known as the ‘group of hundred+ violins’ the need for an identity resulted in formation of the Chittor Appanna Rajasekar’s Violin Academy – CARVA Music School in 2000, which later grew into being administered under the name of the CARVA Trust.

While keeping up with the traditions of classical music, Shri C.A.Rajasekar ensures to incite enthusiasm into the eager minds by virtue of the zeal and energy with which he organizes activities with flair. Given the pushing nature of the teacher and arduousness of the students, every single performance to date has been very well received.

One amongst the acclaimed of their performances was on the Independence Day (in the year 2002), which was broadcast on ‘Podhigai T.V.’ under a program titled “Isai Aruvi”. Over a hundred CARVA students rendered popularly known patriotic pieces on their violin with pride, grace and confidence. Another such performance was given on Jaya T.V. in 2004 as part of their Pongal Special programs and was acclaimed by all. CARVA students regularly perform at the Ashramam of Poojya Sri Muralidhara Swamigal in Malapattu Village under aegis of the saint. Also, their performances at MUSIC ACADEMY as a part of “Svanubhava” by these amateur violinists had a great acclaim. Also, CARVA performs in batches of 25+, 50+ violins and in various combinations as and when required and in accordance to the occasion (Temples, Sabhas & Marriage occasions) and also to the audience needs.

This is the driving motive of the CARVA Trust – to instill greater enthusiasm by providing incentives (of stage ascensions and such) that trigger a sense of accomplishment and pride giving way to their appreciation and aspiration for deeper knowledge of Carnatic music.



Annual Activities of CARVA TRUST

CARVA Music Festival, now a tradition of the academy is arranged wherein every single student gets to stage their performance along with their peers accompanied with the rhythm of percussion artists. The motive behind such program is to instill confidence among young budding artistes and to provide them a priceless opportunity to learn more in this field of specialization. This is done by teaching each student the most generalized of songs, which when played or heard by them boosts their morale. The program, sectioned for pupils of different levels of learning – from Geetham to Krithis, are orchestrated, practiced (for over 30 - 40 sessions) and rendered for an ever houseful audience. As a grand culmination of the event, students of almost all levels perform for a Grand Ensemble in unison, rendering Bhajans and popular songs of the public patrons.

This festival provides a great opportunity for the students to display their deftness and skill to a huge audience, a near impossibility to organize otherwise. As customary to the festival, renowned musicians are invited to grace the occasion adding to the enthusiasm of the students. The satiating experience and smiles in one and all – students, teacher, parents, distinguished guests and audience alike, is what CARVA hopes for, making every wee bit of the effort spent well worth.

The first festival was conducted in 2000. With a modest 50 students the program was presided by Violin Maestro ‘Sangeetha Kalanidhi’shri M.Chandrasekaran and was acclaimed a success by one and all. By the subsequent year around a hundred students participated in the event, with a much wider media attention, appreciation and laurels to CARVA.

Great musicians and personalities have graced this function including Poojya Shri Muralidhara Swamigal and Ghatam Maestro Vikku Vinayagaram, Renowned Musicologist Dr V.V.Srivatsa, ‘Sangeetha Kalanidhi’ Sri T.K.Govindarao, Madurai Sri G.S.Mani, ‘Nadha yogi’ Sri V.V.Subhramnaian, Western Giant Sri V.S.Narasimhan. The applause and appreciation by these music Vidhwans have been a morale boost for many of these young tiny tots who are hardly the size of the violin bow. With years of successful deliverance in series, the appreciations are now converting into expectation from a crowd that come to witness the bravado of the amateurs, agility of the seniors and the grandeur of CARVA.

Pilgrimage to Thiruvaiyaru is one amongst the greatest privilege and a spiritually elevating experience for any student of Carnatic music and patrons alike. The annual Thiyagaraja Aaradhanai festival brings every leading and aspiring musician and patrons from all over the world. CARVA students are given the privilege to render musical homage at the shrine of the great saint every year during the month of May. The students get to perform along with their Guru right in front of the shrine as offerings and prayers are made to the saint. The students along with their guru perform a Nadhaharam (garland of music) for the saint by playing a piece on Lord Rama forming a garland as they sat around the shrine in a chain. With the parents of Carva students also accompanying the trip, visits to nearby temples are also organized. The pilgrimage has been taken up for the past nine years and is definitive for the years to come. The idea behind this trip is to instill confidence in these young brigades in accordance to our strong ethnic and edifying practices of India.

For the cause of the society: To invoke the blessings of the rain-god and seek rains to overcome the water scarcity, CARVA involves itself in Varuna-Prayer (a group performance) at various places in the city. A special piece in Raagam Amruthavarshini composed by Sri C.A.Rajasekar is played in total more than 108 times culminating in a grand Pooja towards the objective.

The trust has developed its own website www.carvatrust.org and flashes all its activities there.


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CARVA-Right place to learn violin

I am R. GANAPATHY SUBRAMANIYAM Studying 8TH Std., I Would like to share about My Violin teacher who takes classes in West Mambalam, by name C.A. RAJASEKAR (CARVA). He has got 100 students under him, His way of teaching, patience, and dedication made me to continue the classes for the past 4 years. He takes theory part of Music also this makes the student to understand the concept of music well and we are able to follow the concerts. He is a genius by teaching. We Students of CARVA are very proud to say that our teacher has started taking online classes. Join Carva to become a CARVA FAMILY and learn violin.

For details pls contact:carva2k@gmail.com
Our website: www.carvatrust.org


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READ THIS FIRST!!!! SYMPHONY ON STRINGS

Date:29/08/2008 URL: http://www.thehindu.com/thehindu/fr/2008/08/29/stories/2008082951230100.htm Back Friday Review Bangalore Chennai and Tamil Nadu Delhi Hyderabad Thiruvananthapuram



Symphony on strings

V. BALASUBRAMANIAN

He might not have made it to the concert circuit but Rajasekar is training students, many of whom have talent and focus.

Violin is one of the toughest instruments and perfection is achieved only through rigorous practice. - C.A. Rajasekar

Photo : R. Shivaji Rao

DEDICATED TEACHER: C.A. Rajasekar.

Venue: Mahodaya Hall, Stree Seva Mandir,

Date: August 30, (7 p.m.)

Guests of Honour: Madurai G.S. Mani and V.V. Subrahmanyam

Violin is one of the toughest instruments and perfection is achieved only through rigorous practice. –

Veteran composer, M.S. Visvanathan is said to have recorded the song “Engay Nimmadhi…” with more than 70 violins. Ilaiyaraaja has tuned several songs with the strings playing a dominant part. However, the use of acoustic instrum ents in general, and strings in particular, is becoming a rarity in film music, what with all sorts of gadgets available to mimic the sounds. It is true that there is a dearth of accomplished violinists — to accompany artists or play solo.

This brings into the picture C.A. Rajasekar, who has trained over 100 students in violin. His CARVA (C.A. Rajasekar’s Violin Academy) is celebrating its anniversary tomorrow, 6.01 p.m. at the Stree Seva Mandir Auditorium, 36, Fourth Avenue, Ashok Nagar. The hour-long function that includes the release of a souvenir by veteran violinist V.V. Subrahmanyam will conclude with the violin recital of 100 students.

Father first guru

Rajasekar is the fourth generation violin vidwan in his family. His forefathers belonged to Cholavaram village in Tamil Nadu. A chance job to teach violin and vocal music at Sri Ram Vilas Sabha in Chitoor made Vedachalam Iyer, Rajasekar’s paternal grandfather, settle there permanently. “My father Appanna and his three brothers were all trained in violin. I learnt the rudiments from my father,” says C.A. Rajasekar one of the Trustees of CARVA.

“I concentrated more on music than studies. Yet, I did B.A. and M.A. (Music) from the University of Madras and was in fact a gold medallist in M.A. I went on to do M. Phil on the violin teaching methodology of various schools in classical music.” Raja joined vidwan M. Chandrasekaran for advanced training and says that playing alongside him for a concert in Malaysia was an unforgettable experience.




Students rehearsing for their concert.

Ever since he finished his school, Raja has been teaching violin apart from playing concerts as an accompaniment. “For reasons only known to the Almighty, my career as an accompanist never took off and hence I started teaching violin, full swing,” Raja declares matter-of-factly. CARVA was born in 2000 officially though my teaching dates back to 1982.

As you are talking to him at the Kali Bari temple, West Mambalam, tiny tots hardly the size of the violin bow walk in confidently with their instruments for rehearsal. Some settle down straightway with the violin while others choose a corner to do their homework, waiting for the master’s call. “It is this academic pressure with numerous tests, homework, etc., that deter children from joining music classes. Those who stick it out reap the harvest, for music helps them to relax, increases their thinking and retention capabilities,” Raja asserts.

The rehearsal begins, once the students belonging to all age groups get ready and the strains of the Bilahari Swarajati and the Khambodi varnam fill the air — a soothing experience. “At least some of my present students would for sure, make a mark in the classical music field within a few years from now, I believe. Violin is one of the toughest instruments and perfection is achieved only through rigorous practice,” Raja emphasises. “In order to sustain their interest I thought of this annual event when all the students are given an opportunity to present their talent.” Raja has earned widespread appreciation from leading vidwans.

Among Raja’s students is Ramaswamy, a young software engineer employed in Bangalore, who comes down to Chennai during weekends to learn violin. “The first year was very tough, but later I started enjoying it and now I can’t live without it. I derive a lot of pleasure playing with the children and this is definitely a stress reliever.”

Varun, a seventh standard student, joined because he had a special liking for the violin. Will he make it his profession? He shrugs in response. “I get an insight into Carnatic music when I play the violin,” says teenager Ganapathysubramanian. Aishwarya, a plus one student wants to become a performer and she is happy that she has found a perfect guru in Rajasekar while Arpitha Shivmani, a young lawyer, wants to go on learning violin seriously as long as she could.

“To the sound health of the violin” — the bows rise in unison, as Rajasekhar’s young brigade resumes rehearsal with all sincerity.

© Copyright 2000 - 2008 The Hindu


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Watch videos from CARVA Grand Violin Ensemble in the year 2005


sriman nArAyaNa


harE rAmA harE kriShNA


sara sara samarE


Different notes


Western Theme (Plucking)


English Notes


kriShNA bhajO (sai bhajan)


raghupathy rAghava rajA rAm


harivarAsanam


vAzhiya sentamish


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